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Non-Fiction: A Piano Concerto in Four Movements
Multi-award-winning composer and pianist Hania Rani returns to the Barbican this autumn for the world premiere performance of her first piano concerto and symphonic work: Non Fiction: A Piano Concerto in Four Movements. Joined by Manchester Collective, assembled as a 45-piece orchestra with violinist Rakhi Singh, conductor Hugh Brunt and special guests Jack Wyllie and Valentina Magaletti, Rani returns following her sold out Barbican debut earlier this month where she performed her 2024 album Ghosts.
Rani’s new work is composed in response to the discovery in 2020 of the compositions of a young music prodigy, Josima Feldschuh, written in the Warsaw Ghetto during the horrors of World War II. Moved by the young girl’s story, Rani chooses to examine it through the lens of current horrors in both Ukraine and Gaza, and how we observe them through modern media. In doing so, Rani investigates the constant coexistence of harmony and disorder, creating a sonic metaphor for the survival of the human spirit when faced with violence.
With Rani drawing on her classical background, uniquely contemporary music and improvisation, audiences can expect a profound and powerful display of a modern masterwork. In the opening set, audiences can also expect a selection of Rani’s contemporary instrumental music for film and theatre alongside new music arranged for a small ensemble.
Hania Rani
Hania Rani is a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik. She has performed at some of the most prestigious venues in Europe - from the National Philharmony in Warsaw, to Funkhaus in Berlin, to The Roundhouse in London (where she made her debut at the Gondwana 10th anniversary festival last October) and at festivals such as Open’er, Scope Festival and Eurosonic. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.
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Barbican Centre
- Website:
- barbican.org.uk
- Disabled Booking:
- 020 7638 8891
See all events at Barbican Centre
Barbican Centre
- Website:
- barbican.org.uk
- Disabled Booking:
- 020 7638 8891
See all events at Barbican Centre
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on Tue 25 November 2025